Sunday 26 June 2016

MOVING ELEMENTS

Moving element 1 
MAIN BUILDING ELEVATOR 



Moving element 2 
"Conveyor belt" pod


Thursday 23 June 2016

Tuesday 24 May 2016

MASH UP -3 ARTICLES

Nature grows from the idea of a seed and reaches out to it’s surroundings. “Using the environmental nature as our basis for design, a building or design must grow, as Nature grows, from the inside out.


While maintaining quality of life and responding to their unique environments and cultural context for the school design, it is important to encode design rules in a computational framework (for a multicultural school) It is up to the designer/architect to extract specific non-universal patterns as needed, by examining the ways of life and tradition in a particular setting, and then to apply them to that situation. By encoding design proposals reflects different modes of life, customs, and behaviour, where connections between culture, climate, people and place are woven together in a distinct humanistic architecture shaped by circumstance. Most architects design their buildings as a shell and force their way inside. Nature grows from the idea of a seed and reaches out to its surroundings. A examples of organic architecture buildings thus, is akin to an organism and mirrors the beauty and complexity of Nature.” 
In some cases, new ideas for maximizing urban density require building new cities from the ground up, while others reclaim industrial areas and depressed suburbs or simply keep building higher and higher into the sky. These proposals – some fanciful, others currently under construction or completed – represent a diverse variety of urban growth solutions, each with it's own pros and cons.








http://www.archdaily.com/576825/ehrlich-architects-win-2015-aia-architecture-firm-award




SKETCHES















Tuesday 3 May 2016

EXPERIMENT TWO: TRAM STOP

WEEK 1:KOOLHAS X AALTO
5 PRISM AMALGAMATIONS




1.

"The stronger the identity, the more it imprisons, the more it resits expansion, intrepretation, renewal, contradiction."-Rem Koolhaas

2.
"Fragmentation used to reduce impact- divide the building into smaller pieces and arrange them so the building cannot be seen as a whole from any point of view" Rem Koolhaas



3.

"Where space was considered permanent it now feels transitory- on its way to becoming." Rem Koolhaas



AALTO


1.



"Create a dynamic between the building and it's natural surroundings." Alvaar Alto 

2. 



"Create a sense of warmth and humanity as opposed to sheer function." Alvaar Alto



3.

"Nothing is as dangerous in architecture as dealing with separate problems. If we split life into separate problems, we split the possibilities to make good building art." Alvaar Alto









Week 2- "Electroliquid Aggregation" 
PARALLEL PROJECTIONS


Design 1 (chosen design)

"The stronger the identity, the more it imprisons, the more it resits expansion, intrepretation, renewal, contradiction."-Rem Koolhaas 
                                                                                                              + 
Create a dynamic between the building and it's natural surroundings." Alvaar Alto 





Design 2 
"Fragmentation used to reduce impact- divide the building into smaller pieces and arrange them so the building cannot be seen as a whole from any point of view" Rem Koolhaas

+


"Create a sense of warmth and humanity as opposed to sheer function." Alvaar Alto


Design 3






"Where space was considered permanent it now feels transitory- on its way to becoming." Rem Koolhaas


                                                                                               +


"Nothing is as dangerous in architecture as dealing with separate problems. If we split life into separate problems, we split the possibilities to make good building art." Alvaar Alto



WEEK 3 


36 CUSTOM TEXTURES 



LIGHT------> DARK 








Light: This was used to signify the structures inplanted on the ground, for example the seating platform infront of the train. My intention was to make sure that the focus wasn't just on the waiting (seating) area of the station but the other technological/aspects of my design. 


Medium: My medium texture was incorporated into the middle structure of my design, I had chosen to do this in order to neutralize the juxtaposition of light and dark textures. 


Dark: I had used the dark texture for the exterior structure to highlight the main structure and frame. The texture gives the Aalto prism's an almost monolithic/stone feel. 




APPLICATION OF TEXTURES (light----->dark) 
-exported from sketchup 



Overall hierachy of textures 



Light texture 


Medium texture 
Dark texture


3D WAREHOUSE









FINAL DESIGN LUMION IMAGES 
Night time render 


PERSPECTIVES 
South elevation perspective scene

Side elevation perspective shot 








CONCEPTUAL DIAGRAMMING: SUSTAINABILITY

(SUN AND WIND PROTECTION)

SUNLIGHT/WEATHER


     


-My light rail design may not receive optimal lighting throughout certain times of the day, however the exterior structure of the building is hollow and therefore the building's interior and bottom is illuminated by the sunlight.





Winter Insulation
"Create a dynamic between the building and it's natural surroundings." Alvaar Alto 
Through analysis and research , weather protection is frequently cited as a high priority. Protection from sun, rain and wind is essential. In terms of winter my tram stop may receive small amounts of light, passive and active solar heating were not options to keep the surrounding enviormnent comfortable. Therefore the building relies on a conventional heating system (based on the insulating roof) 




                   

Summer Insulation 

                                                          EXPLODED AXONOMETRIC
                                                             INVERTED DIAGRAM

FRONT

REAR