Michelle J
Tuesday, 28 June 2016
Sunday, 26 June 2016
Thursday, 23 June 2016
CUSTOM TEXTURES
SKETCHUP DIAGRAMS/IMAGES
BIRDS EYE VIEW
red= circulatory path
BIRDS EYE VIEW
yellow= 5 office spaces
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Library
Tuesday, 24 May 2016
MASH UP -3 ARTICLES
Nature grows from the idea of a seed and reaches out to it’s surroundings. “Using the environmental nature as our basis for design, a building or design must grow, as Nature grows, from the inside out.
While maintaining quality of life and responding to their unique environments and cultural context for the school design, it is important to encode design rules in a computational framework (for a multicultural school) It is up to the designer/architect to extract specific non-universal patterns as needed, by examining the ways of life and tradition in a particular setting, and then to apply them to that situation. By encoding design proposals reflects different modes of life, customs, and behaviour, where connections between culture, climate, people and place are woven together in a distinct humanistic architecture shaped by circumstance. Most architects design their buildings as a shell and force their way inside. Nature grows from the idea of a seed and reaches out to its surroundings. A examples of organic architecture buildings thus, is akin to an organism and mirrors the beauty and complexity of Nature.”
In some cases, new ideas for maximizing urban density require building new cities from the ground up, while others reclaim industrial areas and depressed suburbs or simply keep building higher and higher into the sky. These proposals – some fanciful, others currently under construction or completed – represent a diverse variety of urban growth solutions, each with it's own pros and cons.
http://www.archdaily.com/576825/ehrlich-architects-win-2015-aia-architecture-firm-award
SKETCHES
Tuesday, 3 May 2016
EXPERIMENT TWO: TRAM STOP
5 PRISM AMALGAMATIONS
1.
"The stronger the identity, the more it imprisons, the more it resits expansion, intrepretation, renewal, contradiction."-Rem Koolhaas |
Week 2- "Electroliquid Aggregation"
PARALLEL PROJECTIONS
Design 1 (chosen design)
"The stronger the identity, the more it imprisons, the more it resits expansion, intrepretation, renewal, contradiction."-Rem Koolhaas
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Create a dynamic between the building and it's natural surroundings." Alvaar Alto
Design 2
"Fragmentation used to reduce impact- divide the building into smaller pieces and arrange them so the building cannot be seen as a whole from any point of view" Rem Koolhaas
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"Create a sense of warmth and humanity as opposed to sheer function." Alvaar Alto
Design 3
"Where space was considered permanent it now feels transitory- on its way to becoming." Rem Koolhaas
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"Nothing is as dangerous in architecture as dealing with separate problems. If we split life into separate problems, we split the possibilities to make good building art." Alvaar Alto
WEEK 3
36 CUSTOM TEXTURES
LIGHT------> DARK
Light: This was used to signify the structures inplanted on the ground, for example the seating platform infront of the train. My intention was to make sure that the focus wasn't just on the waiting (seating) area of the station but the other technological/aspects of my design.
Medium: My medium texture was incorporated into the middle structure of my design, I had chosen to do this in order to neutralize the juxtaposition of light and dark textures.
Dark: I had used the dark texture for the exterior structure to highlight the main structure and frame. The texture gives the Aalto prism's an almost monolithic/stone feel.
APPLICATION OF TEXTURES (light----->dark)
-exported from sketchup
Overall hierachy of textures
Light texture |
Medium texture |
Dark texture 3D WAREHOUSE |
FINAL DESIGN LUMION IMAGES
Night time render
PERSPECTIVES
South elevation perspective scene |
Side elevation perspective shot |
CONCEPTUAL DIAGRAMMING: SUSTAINABILITY
(SUN AND WIND PROTECTION)
SUNLIGHT/WEATHER
Summer Insulation |
EXPLODED AXONOMETRIC
INVERTED DIAGRAM
FRONT |
REAR |
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